MABB v6.6.6

...is it just me, or...uhm, well, I somehow get the feeling that mr. vincent didn't expect such a shitstorm of negative feedback for IDI!!!

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That was almost creepy.

[quote name="David Vincent"]"stroke me, for i wish to orgasm" people on the internet, you pesky people on the internet [/quote]

All in all I'd say it's a better interview than some of the others we've been subjected too.. His acknowledgement of the Tucker albums was cool and it's good to see he and the band are at least thinking about adding some of those songs to the set.



Same for the industrial music. Even though it's mostly poor, If they did I think it'd give them more credibility and show that they are really into what they did on the album.



He seems to give off vibes of expectancy, like there's further tricks up the bands sleeve. But that could be the salesman methods at work.

i hate how david dances around questions



interviewer: will tim become a permanent member of the band

david: well, permanent is a very interesting word, yadadadaadasuckmycockblahblah

Yeah, that shit right there with zero mention of Pete was pretty indicative of the future.

i love his sexy lips



he reminds me of:

[quote name="LAVAGOD"][/quote]

Vincent did his things thats great, but why Trey let this man in.

What the fuck is happening.

Build me a time machine, i fucking hate 21st century. everything is fucked up totally

this thread

We just have to live through this phase in Morbid history hoping for better days when the J album arrives, which should be a live of studio effort, concidering the remix album doesn't have it's J title.

You seriously have serious hopes for the J album?

[quote name="Verbal"]You seriously have serious hopes for the J album?[/quote]



Assuming you're serious: Of course, history shows that after C old Lake, Risk and St. Anger, the bands returned to their roots and reached about halfway the quality they were known for. I expect a simular change back with Morbid Angel in the next few years.

But it will obviously be shit.

[quote name="Verbal"]But it will obviously be shit.[/quote]



What Megadeth and Tryptikon later did, I don't consider shit but containing quality stuff and Metallica fans like Death magnetic looking at the enormous sales in this age of download.



A new Morbid Angel record won't rival Altars of madness or Blessed are the sick of course, older age plays a role, but a Gateways/ Heretic quality level must be reachable.



You are overnegative beyond any sense of realism.

somehow I get the impression that THEY already sort of regret GLEESO, and would have never ever expected such an ultraNEGATIVE reaction from their fanbase!

evil meh IS A SALESMAN NOW...he lost all the smartness and coolness he once conveyed in interviews! maybe he doesn't like the album either, but has to stick with it because of the ca$h!

I'm curious for the J album...and the new TERRORIZER

As a salesman, he's doing really bad considering the album sales..



My hope is that they always plan to do something different each album so no Illud pt 2 + hopefully Trey gets joy again in writing eerie riffs.

The stuff in Mea culpa, "terror core", meant to be kinda scary/nightmarish?. Those weird, out of nowhere high note stuff before the fast beats kick off. I think this shows that Trey is still into his off kilta, deranged riffage. But it's so underdeveloped on this record that it pretty much wasn't worth releasing it.

"controversial" ??

um, no - it just sucks

hell no, nothing contoversial about IDI!!!

all in all I could sense a good idea for a song here and there (too extreme, mea culpa) but everything's just so poorly developed...it's embarrassing! the rest of the album is mediocre death metal + 2 total disasters (RADIKULT, DESTRUCTOS vs PENIS)

This is what happens when a band write and arrange the bulk of the songs in the studio.



Greater processing power, means quality control is sacrificed as they wank blindly in Pro Tools, hoping that some tacked on digital trickery will cover up a lack of good old fashioned, labour intensive song writing.

How's that?

I've been working with musicians that thrive on such a creative process in the studio. Writing songs as they go in that studio environment. It doesn't work for everybody, but for some it can work well and give amazing results. And you don't know how much was written by Trey at home, and how much was then added in the studio. But I agree, whatever they did - it sure didn't pay off.

That's great, but in this instance, I'm not talking about the musicians you have been working with; I'm talking specifically about MA and what, rightly or wrongly, I suspect has gone on.



Say you have had a prolific and varied output for a great many years. You reach a situation where you have left a long gap since your last album (which itself was accused of being a bit unfocussed and thrown together). You've been gigging your 'greatest hits' lineup and setlist for years with only one new song to show for it. The time has come to either a: deliver a new record or b: hang up your boots. However, all you have is your one new song and a bag of ideas that you managed to throw together between touring commitments.



I don't believe MA's current circumstances are conducive to just going into the studio and cutting and pasting the songs together from rough ideas and I don't believe they had enough new ideas or creative energy (at this point in their career) to make such a method of working pay back.



Obviously, you are keen to disagree with me, but perhaps you can bring yourself to agree that Illud doesn't feel like something that Trey spent a long time sweating over before bringing the songs to the rest of the band? Although, you are right, we are not going to know this for sure.



I totally agree pre-production songwriting works for some bands. But MA are old skool. They ain't spring chickens and I believe that trying studio experimentation has badly backfired.

I agree because about the studio theory. Many MA songs have ideas in them that were already many years old before being recorded.



It's always Dave doing the talking and taking the respons. He's still metal. A forum member met him on the way back from the Vader/Krisiun gig a few days after MA played 013 Tilburg.



I want to know what Trey is about nowadays. He seems to be fed up on deathmetal and only into dubstep and stuff like that.

[quote name="BlackCatTheory"]That's great, but in this instance, I'm not talking about the musicians you have been working with; I'm talking specifically about MA and what, rightly or wrongly, I suspect has gone on.



Say you have had a prolific and varied output for a great many years. You reach a situation where you have left a long gap since your last album (which itself was accused of being a bit unfocussed and thrown together). You've been gigging your 'greatest hits' lineup and setlist for years with only one new song to show for it. The time has come to either a: deliver a new record or b: hang up your boots. However, all you have is your one new song and a bag of ideas that you managed to throw together between touring commitments.



I don't believe MA's current circumstances are conducive to just going into the studio and cutting and pasting the songs together from rough ideas and I don't believe they had enough new ideas or creative energy (at this point in their career) to make such a method of working pay back.



Obviously, you are keen to disagree with me, but perhaps you can bring yourself to agree that gleeso doesn't feel like something that Trey spent a long time sweating over before bringing the songs to the rest of the band? Although, you are right, we are not going to know this for sure.



I totally agree pre-production songwriting works for some bands. But MA are old skool. They ain't spring chickens and I believe that trying studio experimentation has badly backfired.[/quote]



I agree with what you say here, so your statement about me being keen on disagreeing with you is false. It's also a good thing you elaborated a bit on what you said earlier. It's true that they have been doing lots of pre-production and writing on their own at home or at the rehearsal place, instead of a studio, which then worked out great obviously. But every recording and every album is different, so their approach can be different every time as well. Even for a band like Morbid Angel. Other than that, I totally agree with your words there.

[youtube]32yNuBiKh9c[/youtube]

who gives even the tiniest shit about morbid angel any more. someone tell me. and then explain why while i walk away

[quote name="it the dusto"]who gives even the tiniest shit about morbid angel any more. someone tell me. and then explain why while i walk away[/quote]

Junior Mints look like black Go pieces.

This popped up on the recommended videos bit... whilst introducing themselves with a barrage of open notes, disco shouts something about extreme championship wrestling also, 4:50 for the DISCO-360 EXTREME how are you suppoosed to take this person seriously?



[youtube]8Uj3obaKpjQ[/youtube]

So... David Vincent is spinning around.

[quote name="Mutilator"][youtube]32yNuBiKh9c[/youtube][/quote]



That's pretty convenient how he went from "we don't really care what the fans think" in previous interviews to "right now in this economy it's rough out there for every band." I take it the attendance hasn't been all that great at the live shows.



They've played almost the exact same set for the past eight years and their first album since 2003 is terrible. Must be the economy.