MABB v6.6.6

I really think it's Hellspawn, this song isn't far from ripping a hole into the very fabric that is our reality..



[youtube]RI61RMvjWr8[/youtube]





and speaking of reality, trey fucking left it during that Chapel of Ghouls solo.. erik too near the end

Bleed for the Devil



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i'm pretty sure almost every one of trey's solos are chaotic, as they have a tendency to have nothing to do with the song.

[quote name="Skinfection"]chambers of dis[/quote]

[quote name="cat hallucination"]as they have a tendency to have nothing to do with the song.[/quote]



wrooooooong

[quote name="cat hallucination"]...as they have a tendency to have nothing to do with the song.[/quote]

Ok you've just crossed the threshold of fail of no return. Kindly fucking kill yourself, you completely incompetent waste of flesh, that your remains may be put to more worthy use, such as feeding worms and bacterium.

[quote name="Void"]Bleed for the Devil



\thread



[/quote]

[quote name="cat hallucination"]i'm pretty sure almost every one of trey's solos are chaotic, as they have a tendency to have nothing to do with the song.[/quote]



I find that most people who like music that "stays inside the lines" so to speak, find abstract expression having nothing to do with anything. This is fundamentally wrong. By virtue of being alive, being a thriving creative being, anything you do always has something to do with the rest of yourself. This includes writing music, solos, etc. It's just that some, like to express their connections in more "colorful" ways. That's how I see Trey's solos, a palette of alternate colors in expressing a very connected musical passage(s). If the listener too thinks out side these lines or restraints, you have a wider perspective of those kinds of expression and also will realize Trey's solos have everything to do with the song.

[quote name="TranscendingMusic"]
[quote name="dog hallucination"]i'm pretty sure almost every one of trey's solos are chaotic, as they have a tendency to have nothing to do with the song.[/quote]



I find that most people who like music that "stays inside the lines" so to speak, find abstract expression having nothing to do with anything. This is fundamentally wrong. By virtue of being alive, being a thriving creative being, anything you do always has something to do with the rest of yourself. This includes writing music, solos, etc. It's just that some, like to express their connections in more "colorful" ways. That's how I see Trey's solos, a palette of alternate colors in expressing a very connected musical passage(s). If the listener too thinks out side these lines or restraints, you have a wider perspective of those kinds of expression and also will realize Trey's solos have everything to do with the song.[/quote]



Couldn't have said it better myself. ...mostly because I am inclined to just berate ca.t anallucination for his inane comments and puppy beating.

i was trying to make a joke. christ. nevermind, i should have just kept my mouth shut.

but it wasn't funny

well, it was supposed to be dry humor. clearly, it was taken the wrong way. trey's solos are awesome. but, they are chaotic...and sometimes his solos go off into tangents that go so far off key, that i'm afraid for the universe. but they are fucking awesome, clearly. that was the joke...seriously, have you ever heard the blues lick that he busts out in summoning redemption. it's like...the blues lick is played bluesfully well, according the the blues genre...but he plays it in a different key than the normal blues man would...and he plays it above swamping death metal...it is fucking chaotic. that's the joke i was going for.

[quote name="cat hallucination"]well, it was supposed to be dry humor. clearly, it was taken the wrong way. trey's solos are awesome. but, they are chaotic...and sometimes his solos go off into tangents that go so far off key, that i'm afraid for the universe. but they are fucking awesome, clearly. that was the joke...seriously, have you ever heard the blues lick that he busts out in summoning redemption. it's like...the blues lick is played bluesfully well, according the the blues genre...but he plays it in a different key than the normal blues man would...and he plays it above swamping death metal...it is fucking chaotic. that's the joke i was going for.[/quote]



Yes that's great stuff ...and I feel ya man, it's humorous in a "damn that is some warped shit but beautiful and chaotic" way...



I remember the first time I heard this kind of thing. You guys remember "Shortest Straw" off of AJFA? The last solo Kirk plays (when kirk used to make interesting solos) is pretty evil. He's playing some kind of F# pentatonic or blues on top of the main riff and it's so beautifully dissonant! Ah the good ole days

[quote name="TranscendingMusic"]

Yes that's great stuff ...and I feel ya man, it's humorous in a "damn that is some warped shit but beautiful and chaotic" way...



I remember the first time I heard this kind of thing. You guys remember "Shortest Straw" off of AJFA? The last solo Kirk plays (when kirk used to make interesting solos) is pretty evil. He's playing some kind of F# pentatonic or blues on top of the main riff and it's so beautifully dissonant! Ah the good ole days [/quote]





totally, but no i don't know metallica very well.

go edjumacate yosef

[quote name="cat hallucination"]i was trying to make a joke. christ. nevermind, i should have just kept my mouth shut.[/quote]

That's the ticket!

[quote name="Devy"]
[quote name="TAM TAM"]
[quote name="TAM TAM"]
[quote name="TAM TAM"]NO[/quote][/quote][/quote]



[/quote]

How did that get in here?

i put it there

The Hood goes where ever the fuck he wants sir.

I don't find any of their songs especially chaotic. They are all well structured and easy to follow.

[quote name="cat hallucination"]i should have just kept my mouth shut.[/quote]



BINGO! you win a prize!

[quote name="TranscendingMusic"]
[quote name="dog hallucination"]well, it was supposed to be dry humor. clearly, it was taken the wrong way. trey's solos are awesome. but, they are chaotic...and sometimes his solos go off into tangents that go so far off key, that i'm afraid for the universe. but they are fucking awesome, clearly. that was the joke...seriously, have you ever heard the blues lick that he busts out in summoning redemption. it's like...the blues lick is played bluesfully well, according the the blues genre...but he plays it in a different key than the normal blues man would...and he plays it above swamping death metal...it is fucking chaotic. that's the joke i was going for.[/quote]



Yes that's great stuff ...and I feel ya man, it's humorous in a "damn that is some warped shit but beautiful and chaotic" way...



I remember the first time I heard this kind of thing. You guys remember "Shortest Straw" off of AJFA? The last solo Kirk plays (when kirk used to make interesting solos) is pretty evil. He's playing some kind of F# pentatonic or blues on top of the main riff and it's so beautifully dissonant! Ah the good ole days [/quote]



Exactly right. Back when Kirk had something interesting to say musically, he was actually cool as fuck. Obviously not swimming with technical proficiency or anything, but hell, listen to the solo for The Thing That Should Not Be. It just sounds so fucking far out there, but it fits the song perfectly, and it's not obviously drawn from any of the previous riffs or anything.

Kirk had really awesome solos back in the day, but it's slowly become the same blues-wah wah crap over and over again.

In fact, here's the one I was just talking about. Incredible live version. I always thought this song sounded a lot like Morbid Angel. Apparently, the Great Old Ones inspire musicians in similar ways.



[youtube]OPV5b2SrjIY[/youtube]

that's my favorite metallica performance. those grunts that james does sound very much like death metal vocals, they sound awesome. they were awesome..