MABB v6.6.6

A rage of vocalist churlish hurls a howling sequential cadenced murmur topping volume of percussive guitars moving a tonal center in arpeggio around which undulation in rhythm encodes dialogue internal to placement at that space within a counterpoint warplan of colliding halves, complementary, founding a justified jihad within the place of motivic change and motion, wavelike curling and collisive, to which songs adhere in wisdom of pop music using melodic hook underneath the thrusting roar, an american trailer Mozart creating from the trash of dead empires a rhythmic delivery of larger vision (thus inconvenient; thus resurrective; thus immortal pyrrhic like the dead empires themselves).